02.27.10
In anticipation of the release of our 2009 Annual Report we have created 2 posters to wet the appetite.
02.20.10
Jon Ahrens is a quiet man of humble strength. He leads a team of fellow designers and a crew of men—Madrone Landscape Architecture—that re-shape the earth into more perfect, idealized visions of what nature might have done. His understated brand and identity system will literally take root with his clients.
02.18.10
Jett gave a presentation on our research based creative process for the brand and identity we designed for Edgar Papazian and Doon Architecture. Sorry if you missed the presentation, but you can take a peek at the slides.
02.12.10
We’re please to announce that FÖDA Creative Director and founder Jett Butler has been asked to speak at PechaKucha Austin, Volume 7, Thursday February 18th. 7th PechaKucha, 7th birthday for the studio. Serendipitous.
02.11.10
02.02.10
For twenty-five years, David Wilkes has been building homes with his hands. He and his wife Catherine have created a new company and now have a brand that befits the simple elegance of their Austin labour: a clean identity, tactful British flourishes, and one understated metaphor.
01.25.10
We’ve handled almost every aspect of Jason Ryan Dorsey’s corporate identity growing it gradually since 2005. In December he released his 4th book, but this time with a FÖDA Studio designed cover. Please, Y-Size Your Business.
12.30.09
Join Larry McGuire and the fine folks at Lamberts as they turn the Downtown Barbecue into a casino. Two metallic inks on black stock from FÖDA celebrate the event.
12.17.09
One of our largest branding projects of the year, David Wilkes Builders, is wrapping up. We will present their entire identity system at the beginning of the new year, but for now tear into their custom wrapping paper.
12.11.09
Last year we began collaborating with master mason, sculptor, and artist Berthold Haas to develop a pattern—which he dubbed the Samarkand—for his line of hearths. The following is a look at both the hearth itself, as well as the rigorous study we put into our first work in stone.
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